[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"post:14707":3},{"id":4,"product_id":5,"user_id":6,"title":7,"content":8,"images":1200,"create_at":1201,"update_at":1202,"status":73,"stats":1203,"user":1206,"emoji_reacts":1209,"video_info":5,"vote":5,"user_remark":1205,"user_interesting":1208,"user_favorite":1208,"topic_ids":1222,"_figures":1223,"_previewImage":1224,"_rawTitle":1225},14707,null,10083426,"【预习 + Day1 助教小总结】很好！AI 漫剧的技术门槛，直接被干碎了！",{"content":9,"type":1199},[10,23,27,28,39,43,47,57,63,67,71,78,82,86,90,91,97,101,166,170,178,183,187,220,224,256,261,265,279,283,298,303,313,345,349,354,358,390,394,399,404,408,450,454,462,474,478,500,522,526,530,534,539,543,549,591,595,601,653,659,663,705,709,751,757,790,798,803,807,859,863,871,913,917,922,955,963,973,977,982,988,1015,1021,1048,1053,1061,1070,1074,1126,1132,1153,1162,1165,1168,1171,1174,1179,1183,1187,1191,1195],{"content":11,"type":22},[12,19],{"attrs":13,"type":18},{"id":14,"label":15,"mentionSuggestionChar":16,"objectType":17,"slug":5},49,"我在观猹学 AI","#","topic","mention",{"text":20,"type":21}," ","text","paragraph",{"content":24,"type":22},[25],{"text":26,"type":21},"很好！今日 AI 漫剧共学营，正式开营啦！",{"type":22},{"content":29,"type":22},[30,32,37],{"text":31,"type":21},"大家晚上好，我是这期陪大家一起学习的内容助教",{"marks":33,"text":36,"type":21},[34],{"type":35},"bold","董董懂",{"text":38,"type":21},"，群里喊懂子就行。",{"content":40,"type":22},[41],{"text":42,"type":21},"开营第一天，大家肯定想问：“我连剪辑都还没玩明白，一上来就要写剧本、拆分镜、做资产，这不是要我命吗？”",{"content":44,"type":22},[45],{"text":46,"type":21},"别慌。先给你吃颗定心丸 ——",{"content":48,"type":22},[49,51,55],{"text":50,"type":21},"鱼叔（余鑫老师）今天整堂课拆完，其实就一句话：",{"marks":52,"text":54,"type":21},[53],{"type":35},"AIGC 这波最大的红利，就是把专业软件筑起来的技术壁垒，直接削平了。",{"text":56,"type":21},"但整节课最核心的那句话，一定要刻进脑子里：",{"content":58,"type":22},[59],{"marks":60,"text":62,"type":21},[61],{"type":35},"AI 降低的是制作门槛，绝不是内容门槛。",{"content":64,"type":22},[65],{"text":66,"type":21},"工具跑通，点几下鼠标就行；但能让观众看完、催更、甚至愿意掏钱的，永远是故事的钩子、活生生的人物，还有踩准的心跳节奏。",{"content":68,"type":22},[69],{"text":70,"type":21},"今天这节课录播课程一共 54 分钟，晚上一个多小时直播答疑，加上开营前的预习作业，懂子全给你揉进这一版笔记里。顺序按 “预习 → 开营” 来，小白照着走，不迷路。",{"attrs":72,"content":74,"type":77},{"level":73},1,[75],{"text":76,"type":21},"预习篇｜先把地基夯实，别急着开跑","heading",{"content":79,"type":22},[80],{"text":81,"type":21},"很多同学问：我连剪辑都没玩明白，怎么一上来就要写剧本、拆分镜、做资产？",{"content":83,"type":22},[84],{"text":85,"type":21},"别慌，预习放在正式开营前，就是帮你把最容易踩坑的 “地基” 打扎实。做 AI 漫剧最忌讳的就是急着跑视频 —— 剧本节奏松、分镜没逻辑、人设一直在变，那生成的视频哪怕动效再炫，拼在一起也是灾难。",{"content":87,"type":22},[88],{"text":89,"type":21},"预习阶段不要求你直接搓出成片，只要把 “剧本构思、分镜拆解、资产统一” 这三步的底层逻辑弄通，正式开课后你的效率直接起飞。",{"type":22},{"attrs":92,"content":94,"type":77},{"level":93},2,[95],{"text":96,"type":21},"认清全流程：6 步流水线，先知道每道工序干嘛的",{"content":98,"type":22},[99],{"text":100,"type":21},"一部能商用的 AI 漫剧，标准流水线一般分 6 步：",{"attrs":102,"content":103,"type":165},{"start":73,"type":5},[104,115,125,135,145,155],{"content":105,"type":114},[106],{"content":107,"type":22},[108,112],{"marks":109,"text":111,"type":21},[110],{"type":35},"剧本",{"text":113,"type":21},"：故事内核 + 台词节奏","listItem",{"content":116,"type":114},[117],{"content":118,"type":22},[119,123],{"marks":120,"text":122,"type":21},[121],{"type":35},"分镜",{"text":124,"type":21},"：镜头脚本 + 视听语言",{"content":126,"type":114},[127],{"content":128,"type":22},[129,133],{"marks":130,"text":132,"type":21},[131],{"type":35},"文生图",{"text":134,"type":21},"：角色、场景、道具等视觉标准资产",{"content":136,"type":114},[137],{"content":138,"type":22},[139,143],{"marks":140,"text":142,"type":21},[141],{"type":35},"图生视频",{"text":144,"type":21},"：动态演变 + 运镜控制",{"content":146,"type":114},[147],{"content":148,"type":22},[149,153],{"marks":150,"text":152,"type":21},[151],{"type":35},"画质修复",{"text":154,"type":21},"：高清重绘与画质增强",{"content":156,"type":114},[157],{"content":158,"type":22},[159,163],{"marks":160,"text":162,"type":21},[161],{"type":35},"后期合成",{"text":164,"type":21},"：配音配乐、音效、字幕与剪辑包装","orderedList",{"content":167,"type":22},[168],{"text":169,"type":21},"就像做一道菜：先有菜谱（剧本），再备菜切菜（分镜 + 视觉资产），最后才下锅炒（动态 + 后期）。顺序不能乱，火候更不能跳。",{"content":171,"type":22},[172,176],{"marks":173,"text":175,"type":21},[174],{"type":35},"助教划重点：",{"text":177,"type":21},"预习的核心任务，就是把第 1 到第 3 步在 Seko 里跑通一次。静态的角色资产和镜头逻辑卡死了，后面的动态和后期才有得玩。",{"attrs":179,"content":180,"type":77},{"level":93},[181],{"text":182,"type":21},"剧本篇：别拿小说当剧本",{"content":184,"type":22},[185],{"text":186,"type":21},"很多同学把几千字小说直接丢给 AI，效果奇差。原因很简单：你没做针对短视频形态的 “重构”。小说是让人躺着慢慢读的，剧本是让人竖着屏幕、3 秒内停下来的。",{"content":188,"type":219},[189,199,209],{"content":190,"type":114},[191],{"content":192,"type":22},[193,197],{"marks":194,"text":196,"type":21},[195],{"type":35},"黄金 3 秒抓人",{"text":198,"type":21},"：开头严禁大段铺垫世界观、背设定，直接把全篇最反常、最撕裂、最具压迫感的一句话或动作怼在第 1 镜头。",{"content":200,"type":114},[201],{"content":202,"type":22},[203,207],{"marks":204,"text":206,"type":21},[205],{"type":35},"脱水式精简",{"text":208,"type":21},"：大段心理描写、无关风景渲染，全砍。短剧拼的是信息密度，每个场景都必须承担推动剧情或释放情绪的功能。",{"content":210,"type":114},[211],{"content":212,"type":22},[213,217],{"marks":214,"text":216,"type":21},[215],{"type":35},"集尾留钩",{"text":218,"type":21},"：永远在高潮卡点断章。主角刚要反击？底牌刚要揭开？卡这儿，留一个具体问题，让观众顺手划进下一集。","bulletList",{"content":221,"type":22},[222],{"text":223,"type":21},"故事来源和合规红线也要记牢：",{"content":225,"type":219},[226,236,246],{"content":227,"type":114},[228],{"content":229,"type":22},[230,234],{"marks":231,"text":233,"type":21},[232],{"type":35},"网文改编",{"text":235,"type":21},"：千万别以为 “稍微改改人名、换换台词” 就万事大吉。沿用原著核心人设、关键桥段照样侵权。商用发布前必须拿到原作者或平台的书面授权；新手怕踩雷，先去番茄达人中心内容库挑官方开放的授权篇目练手。",{"content":237,"type":114},[238],{"content":239,"type":22},[240,244],{"marks":241,"text":243,"type":21},[242],{"type":35},"原创扩写",{"text":245,"type":21},"：日常脑洞的 “一句话设定”，从 0 搭人物小传和世界观。起步慢点，但这是真正属于你自己的长线 IP 资产。没想法？可以用官方开放的小猹、猹妹形象参加漫剧出圈赛。",{"content":247,"type":114},[248],{"content":249,"type":22},[250,254],{"marks":251,"text":253,"type":21},[252],{"type":35},"AI 辅助生成",{"text":255,"type":21},"：把素材喂给 Seko Agent 时，别让它自由发挥，必须给它套上结构枷锁（比如 “每集 60 秒、三幕、留钩”）。",{"attrs":257,"content":258,"type":77},{"level":93},[259],{"text":260,"type":21},"分镜篇：当一回 “AI 导演”",{"content":262,"type":22},[263],{"text":264,"type":21},"分镜听着高深，其实就是给 AI 和你自己画一份 “施工图纸”—— 明确拍多大、怎么动、做什么、听什么。",{"content":266,"type":22},[267,271,273,277],{"marks":268,"text":270,"type":21},[269],{"type":35},"动作",{"text":272,"type":21},"：写具体动作（“低头擦血并苦笑”），杜绝 “表现出悲伤” 这种抽象描述。",{"marks":274,"text":276,"type":21},[275],{"type":35},"台词与声音",{"text":278,"type":21},"：台词精炼，同步构思背景音效（雷鸣、脚步声、拔刀声），这是成片的氛围底色。",{"content":280,"type":22},[281],{"text":282,"type":21},"把剧本丢给 Seko Agent 拆分镜，两个硬标准：",{"attrs":284,"content":285,"type":165},{"start":73,"type":5},[286,292],{"content":287,"type":114},[288],{"content":289,"type":22},[290],{"text":291,"type":21},"每个分镜对应的动作，必须能在 1 到 5 秒内展示完成，千万别在一个镜头里塞好几个连续动作。",{"content":293,"type":114},[294],{"content":295,"type":22},[296],{"text":297,"type":21},"让 Agent 先出表格化分镜清单，再分别输出文生图提示词和图生视频提示词，方便逐条核对。",{"attrs":299,"content":300,"type":77},{"level":93},[301],{"text":302,"type":21},"视觉资产：锁死风格，别开盲盒",{"content":304,"type":22},[305,307,311],{"text":306,"type":21},"新手最痛苦的：上一镜主角是日系少年，下一镜变成美漫猛男。解决这个问题的核心叫",{"marks":308,"text":310,"type":21},[309],{"type":35},"资产标准化",{"text":312,"type":21},"—— 就像给演员定妆、拍身份证照片，前后不能换脸。",{"content":314,"type":219},[315,325,335],{"content":316,"type":114},[317],{"content":318,"type":22},[319,323],{"marks":320,"text":322,"type":21},[321],{"type":35},"角色三视图",{"text":324,"type":21},"：正式生图前，先给核心角色建好正面、侧面、背面三视图，在 Seko 里把形象固化，这是后续所有分镜不走样的基准锚点。",{"content":326,"type":114},[327],{"content":328,"type":22},[329,333],{"marks":330,"text":332,"type":21},[331],{"type":35},"场景与道具资产",{"text":334,"type":21},"：主角的房间、宗门大殿、常戴的玉佩或武器，单独生成标准图，避免前后镜头窗户移位、佩剑换型的穿帮。",{"content":336,"type":114},[337],{"content":338,"type":22},[339,343],{"marks":340,"text":342,"type":21},[341],{"type":35},"风格 “先拆解，再迁移”",{"text":344,"type":21},"：不会写风格提示词？别用 “高级感、唯美、好看” 这种虚词。找一张你超认可的参考图丢进 Seko，让 Agent 从美术风格、材质细节、光影色调、线条特征四个维度逆向拆解，提取出一组稳定风格词，再复制进自己的分镜提示词。",{"content":346,"type":22},[347],{"text":348,"type":21},"（风格在日系清新和暗黑厚涂之间左右横跳？这就是没锁资产的翻车现场，hhhh。）",{"attrs":350,"content":351,"type":77},{"level":93},[352],{"text":353,"type":21},"预习通关自查清单",{"content":355,"type":22},[356],{"text":357,"type":21},"交预习作业前，对着这 5 条打个勾：",{"content":359,"type":219},[360,366,372,378,384],{"content":361,"type":114},[362],{"content":363,"type":22},[364],{"text":365,"type":21},"搞懂了漫剧制作 6 大步骤，知道预习重心在剧本、分镜和视觉资产",{"content":367,"type":114},[368],{"content":369,"type":22},[370],{"text":371,"type":21},"已经在 Seko 里把一段故事改编成了有爆款开头的短剧本",{"content":373,"type":114},[374],{"content":375,"type":22},[376],{"text":377,"type":21},"已经生成了一版包含景别、运镜、动作、音效的结构化分镜脚本",{"content":379,"type":114},[380],{"content":381,"type":22},[382],{"text":383,"type":21},"已经锁定了至少一种视觉风格（或导出了角色三视图）",{"content":385,"type":114},[386],{"content":387,"type":22},[388],{"text":389,"type":21},"把满意的提示词和卡点记录在文档里，准备带进正式课提问",{"content":391,"type":22},[392],{"text":393,"type":21},"预习就是帮大家把对 AI 的恐惧打掉，迈出第一步。跑 Seko 或拆剧本时遇到变脸、定不了风格，随时在群里喊我，我来帮你看提示词和分镜！",{"attrs":395,"content":396,"type":77},{"level":73},[397],{"text":398,"type":21},"Day1 篇｜正式开营，把故事钩子练起来",{"attrs":400,"content":401,"type":77},{"level":93},[402],{"text":403,"type":21},"工具篇：先把流水线的 “工位” 认全",{"content":405,"type":22},[406],{"text":407,"type":21},"做 AI 漫剧，千万别像集邮一样追着新模型到处试。先搞懂每个工具在流水线上是哪个工位：",{"content":409,"type":219},[410,420,430,440],{"content":411,"type":114},[412],{"content":413,"type":22},[414,418],{"marks":415,"text":417,"type":21},[416],{"type":35},"文本生成（大脑 + 蓝图）",{"text":419,"type":21},"：豆包、DeepSeek 这类大模型，把零散想法整理成分集大纲、短剧脚本、人物台词。",{"content":421,"type":114},[422],{"content":423,"type":22},[424,428],{"marks":425,"text":427,"type":21},[426],{"type":35},"图像生成（美术置景 + 人设）",{"text":429,"type":21},"：Midjourney、即梦、SD 等扩散模型，把文字变成画面，敲定角色长相、场景和光影氛围。",{"content":431,"type":114},[432],{"content":433,"type":22},[434,438],{"marks":435,"text":437,"type":21},[436],{"type":35},"语音合成（情绪 + 灵魂）",{"text":439,"type":21},"：给角色配上贴合人设的音色，带上呼吸感和情绪起伏，拒绝冷冰冰的机器朗读。",{"content":441,"type":114},[442],{"content":443,"type":22},[444,448],{"marks":445,"text":447,"type":21},[446],{"type":35},"视频生成（运镜 + 动态）",{"text":449,"type":21},"：比如 Seko、即梦，靠推拉摇移和微动作推进情绪。",{"content":451,"type":22},[452],{"text":453,"type":21},"顺带厘清一个概念：AIGC 和网上搜图搜文案不一样，它不是扒现成素材，是模型按训练规律全新生成。UGC 靠普通人原创，PGC 靠专业大佬，AIGC 是模型帮我们干活 —— 但方向判断、改稿优化，还得靠人。模型分两类：大语言模型管文字，扩散模型管图像。三大特性：自主性、多模态、高效性；三大价值：提效、降门槛、拓宽脑洞。",{"content":455,"type":22},[456,458],{"text":457,"type":21},"但记住一句话：",{"marks":459,"text":461,"type":21},[460],{"type":35},"能生成，不等于做得好。",{"content":463,"type":22},[464,468,470],{"marks":465,"text":467,"type":21},[466],{"type":35},"助教划重点：完整能交付的作品 ≠ 单张好看的图片。",{"text":469,"type":21},"新手最容易陷进去的坑就是 “抽卡自嗨”—— 刷出一张惊艳的角色图就觉得成了。真正完整的 AI 漫剧有八大环节：剧本 → 角色资产设定 → 场景设定 → 分镜出图 → 动态化 → 配音 → 剪辑 → 发布迭代。简化成一条线就是：梳理文字需求 → 产出图像 \u002F 视频素材 → 人工审美质检、修正细节 → 剪辑合成导出。AI 把效率拉满，人工把质量守住。",{"marks":471,"text":473,"type":21},[472],{"type":35},"跑通流程只是起点，逐镜验收才是保障质量的关键。",{"content":475,"type":22},[476],{"text":477,"type":21},"再补两句商业思考：",{"content":479,"type":219},[480,490],{"content":481,"type":114},[482],{"content":483,"type":22},[484,488],{"marks":485,"text":487,"type":21},[486],{"type":35},"低成本 + 高效率 = 利润空间",{"text":489,"type":21},"：靠工具压缩重复制作成本，把边际成本干到斩杀线以下。",{"content":491,"type":114},[492],{"content":493,"type":22},[494,498],{"marks":495,"text":497,"type":21},[496],{"type":35},"精准定位 + 优质内容 = 转化率",{"text":499,"type":21},"：锁垂直人群，别做烂大街的通用内容。",{"content":501,"type":22},[502,504,508,510,514,516,520],{"text":503,"type":21},"转化路径要前置：短视频展示技能走",{"marks":505,"text":507,"type":21},[506],{"type":35},"私信接单",{"text":509,"type":21},"；深度故事图文做",{"marks":511,"text":513,"type":21},[512],{"type":35},"社群沉淀",{"text":515,"type":21},"；实操案例引流到",{"marks":517,"text":519,"type":21},[518],{"type":35},"数字资产或电商变现",{"text":521,"type":21},"。",{"content":523,"type":22},[524],{"text":525,"type":21},"做内容还要三端一起想：内容端死磕垂直细分；工具端先用免费 \u002F 低成本工具验证，跑通再升级；转化端想好流量来了之后，用户下一步干什么。同时警惕四个坑：同质化、内容和需求不匹配、版权授权、不懂平台运营。",{"content":527,"type":22},[528],{"text":529,"type":21},"两个常见误区也别踩：①AI 生成 ≠ 低质 —— 优质作品是 “AI 出初稿 + 人工润色打磨”；②有内容 ≠ 一定变现 —— 内容必须匹配真实用户需求，光疯狂更新没用。",{"content":531,"type":22},[532],{"text":533,"type":21},"AIGC 能玩的方向也不止漫剧：职场办公、自媒体、设计创意、学习教育、小生意创业、短视频。零基础小白、专业创作者都能从自己现有经验切入（比如把给孩子讲的小故事改成漫剧，或设计师把审美经验结合 AI 做精品短片）。",{"attrs":535,"content":536,"type":77},{"level":93},[537],{"text":538,"type":21},"故事篇：60 秒怎么死死拽住观众",{"content":540,"type":22},[541],{"text":542,"type":21},"课上拿爆款《咱家剑宗团宠小师妹》做了完整拆解，构思剧本时照着这个思路来，鱼叔的拆解还是恐怖如斯。",{"content":544,"type":22},[545],{"marks":546,"text":548,"type":21},[547],{"type":35},"开篇四重反差，打破观众预期：",{"content":550,"type":219},[551,561,571,581],{"content":552,"type":114},[553],{"content":554,"type":22},[555,559],{"marks":556,"text":558,"type":21},[557],{"type":35},"身份反差",{"text":560,"type":21},"：堂堂魔界公主，穷到只能喝糊糊",{"content":562,"type":114},[563],{"content":564,"type":22},[565,569],{"marks":566,"text":568,"type":21},[567],{"type":35},"年龄反差",{"text":570,"type":21},"：才三岁半的奶娃，被迫下山打工寻亲",{"content":572,"type":114},[573],{"content":574,"type":22},[575,579],{"marks":576,"text":578,"type":21},[577],{"type":35},"亲情反差",{"text":580,"type":21},"：老爹看着狠心赶人，实则打仗赔光家底、连看门石狮子都被搬走，是不得已才放手",{"content":582,"type":114},[583],{"content":584,"type":22},[585,589],{"marks":586,"text":588,"type":21},[587],{"type":35},"期待反差",{"text":590,"type":21},"：都以为魔族出山毁天灭地，结果怀里只揣三块碎灵石，去投奔修仙界亲娘",{"content":592,"type":22},[593],{"text":594,"type":21},"反差不只是搞笑，是用最强张力在 3 秒内立住人物、抛出冲突、勾起好奇。",{"content":596,"type":22},[597],{"marks":598,"text":600,"type":21},[599],{"type":35},"五种钩子，写剧本直接套：",{"content":602,"type":219},[603,613,623,633,643],{"content":604,"type":114},[605],{"content":606,"type":22},[607,611],{"marks":608,"text":610,"type":21},[609],{"type":35},"反差萌钩",{"text":612,"type":21},"：高冷剑修手忙脚乱护崽，奶萌三岁半一口接地气方言",{"content":614,"type":114},[615],{"content":616,"type":22},[617,621],{"marks":618,"text":620,"type":21},[619],{"type":35},"身份悬念钩",{"text":622,"type":21},"：外表看是废柴杂灵根，背地里是血统觉醒的天花板",{"content":624,"type":114},[625],{"content":626,"type":22},[627,631],{"marks":628,"text":630,"type":21},[629],{"type":35},"团宠期待钩",{"text":632,"type":21},"：全宗门师兄排队，花式把她宠上天",{"content":634,"type":114},[635],{"content":636,"type":22},[637,641],{"marks":638,"text":640,"type":21},[639],{"type":35},"爽点预告钩",{"text":642,"type":21},"：前面被门槛测试狠狠羞辱，观众就等后面打脸逆袭",{"content":644,"type":114},[645],{"content":646,"type":22},[647,651],{"marks":648,"text":650,"type":21},[649],{"type":35},"轻悬念钩",{"text":652,"type":21},"：集尾永远留一个 “下集能不能过关 \u002F 灵石凑齐没” 的轻问题，让人顺手滑下一集",{"content":654,"type":22},[655],{"marks":656,"text":658,"type":21},[657],{"type":35},"60 秒单集，两套节奏思路对照着用：",{"content":660,"type":22},[661],{"text":662,"type":21},"思路一：掐表留存（盯观众注意力）",{"content":664,"type":219},[665,675,685,695],{"content":666,"type":114},[667],{"content":668,"type":22},[669,673],{"marks":670,"text":672,"type":21},[671],{"type":35},"0–3 秒【黄金留存】",{"text":674,"type":21},"：删掉铺垫，直接丢最抓人的反差画面或冲突对白，让人滑停",{"content":676,"type":114},[677],{"content":678,"type":22},[679,683],{"marks":680,"text":682,"type":21},[681],{"type":35},"4–30 秒【情绪交付】",{"text":684,"type":21},"：快速推进单集小冲突，给第一波爽点或笑点",{"content":686,"type":114},[687],{"content":688,"type":22},[689,693],{"marks":690,"text":692,"type":21},[691],{"type":35},"31–50 秒【增量转折】",{"text":694,"type":21},"：出新人物、新底牌或小反转，防腻",{"content":696,"type":114},[697],{"content":698,"type":22},[699,703],{"marks":700,"text":702,"type":21},[701],{"type":35},"51–60 秒【暖点收束 + 轻钩】",{"text":704,"type":21},"：情绪落回温暖，集尾留钩引下集",{"content":706,"type":22},[707],{"text":708,"type":21},"思路二：起承转合（故事逻辑视角）",{"content":710,"type":219},[711,721,731,741],{"content":712,"type":114},[713],{"content":714,"type":22},[715,719],{"marks":716,"text":718,"type":21},[717],{"type":35},"起（0–15 秒）",{"text":720,"type":21},"：钩子直接开场，拒绝冗长世界观介绍",{"content":722,"type":114},[723],{"content":724,"type":22},[725,729],{"marks":726,"text":728,"type":21},[727],{"type":35},"承（15–35 秒）",{"text":730,"type":21},"：铺开小冲突、带出笑点、亮出人物关系",{"content":732,"type":114},[733],{"content":734,"type":22},[735,739],{"marks":736,"text":738,"type":21},[737],{"type":35},"转（35–50 秒）",{"text":740,"type":21},"：天赋显露、有人撑腰或小反转，拉高情绪",{"content":742,"type":114},[743],{"content":744,"type":22},[745,749],{"marks":746,"text":748,"type":21},[747],{"type":35},"合（50–60 秒）",{"text":750,"type":21},"：暖点收束，再丢一个轻悬念",{"content":752,"type":22},[753],{"marks":754,"text":756,"type":21},[755],{"type":35},"三层冲突，别靠误会硬编剧情：",{"attrs":758,"content":759,"type":165},{"start":73,"type":5},[760,770,780],{"content":761,"type":114},[762],{"content":763,"type":22},[764,768],{"marks":765,"text":767,"type":21},[766],{"type":35},"外层（人与环境）",{"text":769,"type":21},"：外界偏见、生存困境，给主角制造客观障碍",{"content":771,"type":114},[772],{"content":773,"type":22},[774,778],{"marks":775,"text":777,"type":21},[776],{"type":35},"核心（人与人）",{"text":779,"type":21},"：不同角色不一样的关心方式，团宠故事主要看这个",{"content":781,"type":114},[782],{"content":783,"type":22},[784,788],{"marks":785,"text":787,"type":21},[786],{"type":35},"内层（人与自我）",{"text":789,"type":21},"：主角内心迷茫、自我寻找，给故事加上成长弧光",{"content":791,"type":22},[792,794],{"text":793,"type":21},"冲突记得渐进升级，重冲突之后安排轻松日常做情绪缓冲。记住这八个字：",{"marks":795,"text":797,"type":21},[796],{"type":35},"问题有重量，处理有温度。",{"attrs":799,"content":800,"type":77},{"level":93},[801],{"text":802,"type":21},"人物与情绪：告别纸片人",{"content":804,"type":22},[805],{"text":806,"type":21},"很多剧本看着单薄，根源是配角全在用一个腔调当工具人。爱和偏爱不是靠台词反复说 “我好喜欢你”，而是落在行动上：",{"content":808,"type":219},[809,819,829,839,849],{"content":810,"type":114},[811],{"content":812,"type":22},[813,817],{"marks":814,"text":816,"type":21},[815],{"type":35},"大师兄（武力撑腰）",{"text":818,"type":21},"：不爱废话，有事拔剑站在最前面，给足安全感",{"content":820,"type":114},[821],{"content":822,"type":22},[823,827],{"marks":824,"text":826,"type":21},[825],{"type":35},"二师兄（暗中兜底）",{"text":828,"type":21},"：表面漫不经心，暗戳戳把珍贵修炼资源塞进主角兜里",{"content":830,"type":114},[831],{"content":832,"type":22},[833,837],{"marks":834,"text":836,"type":21},[835],{"type":35},"三师兄（生活陪伴）",{"text":838,"type":21},"：起居照料、熬夜炼丹熬羹汤，主打温润生活细节",{"content":840,"type":114},[841],{"content":842,"type":22},[843,847],{"marks":844,"text":846,"type":21},[845],{"type":35},"师父（大局托底）",{"text":848,"type":21},"：哪怕门派垫底，也坚定对外表态 “这孩子我保了”",{"content":850,"type":114},[851],{"content":852,"type":22},[853,857],{"marks":854,"text":856,"type":21},[855],{"type":35},"老爹（反差牵挂）",{"text":858,"type":21},"：嘴上嫌弃打发走，转头偷偷派手下暗中护送",{"content":860,"type":22},[861],{"text":862,"type":21},"（母亲的亲情线、天赋带来的 “天地偏爱”，也都可以当故事素材。）",{"content":864,"type":22},[865,869],{"marks":866,"text":868,"type":21},[867],{"type":35},"情绪搭配黄金比例",{"text":870,"type":21},"（案例配比，别的题材不用死抄数字）：",{"content":872,"type":219},[873,883,893,903],{"content":874,"type":114},[875],{"content":876,"type":22},[877,881],{"marks":878,"text":880,"type":21},[879],{"type":35},"萌点打底约 35%",{"text":882,"type":21},"：奶凶、童言无忌、幼态形象，建立天然亲近感",{"content":884,"type":114},[885],{"content":886,"type":22},[887,891],{"marks":888,"text":890,"type":21},[889],{"type":35},"爽点驱动约 30%",{"text":892,"type":21},"：天赋显露、当众护短、狠狠打脸，拉高多巴胺",{"content":894,"type":114},[895],{"content":896,"type":22},[897,901],{"marks":898,"text":900,"type":21},[899],{"type":35},"笑点调节约 20%",{"text":902,"type":21},"：大人的窘迫、高冷角色的破防，当情绪缓冲阀",{"content":904,"type":114},[905],{"content":906,"type":22},[907,911],{"marks":908,"text":910,"type":21},[909],{"type":35},"暖点收束约 15%",{"text":912,"type":21},"：一碗热汤、全员陪伴，给观众踏实治愈的落点",{"content":914,"type":22},[915],{"text":916,"type":21},"记住：情绪靠人物行动展现，别靠大段旁白解释。",{"attrs":918,"content":919,"type":77},{"level":93},[920],{"text":921,"type":21},"制作交付：三大死穴先避开",{"attrs":923,"content":924,"type":165},{"start":73,"type":5},[925,935,945],{"content":926,"type":114},[927],{"content":928,"type":22},[929,933],{"marks":930,"text":932,"type":21},[931],{"type":35},"角色跨镜头走样（一致性）",{"text":934,"type":21},"：上一秒大眼睛娃娃脸，换个机位变写实网红脸。解法：前期先做角色三视图 + 表情表，在生成平台固定主体资产和种子；有条件再上 LoRA，新手不用一上来就训模型。",{"content":936,"type":114},[937],{"content":938,"type":22},[939,943],{"marks":940,"text":942,"type":21},[941],{"type":35},"全片画风撕裂（统一感）",{"text":944,"type":21},"：第一镜日系清新，第二镜暗黑厚涂，像东拼西凑的 PPT。解法：全程锁同一基底风格模型，定好光影基调（暖 \u002F 冷）和主色板，严格逐镜验收。",{"content":946,"type":114},[947],{"content":948,"type":22},[949,953],{"marks":950,"text":952,"type":21},[951],{"type":35},"动态僵硬或过度形变（自然度）",{"text":954,"type":21},"：人物一动手指长出六根，或者动得像融化的蜡像。解法：以推、拉、摇、移等运镜为主，以眨眼、微呼吸等角色微动作为辅，少用复杂肢体大动作，稳妥又有电影感。",{"content":956,"type":22},[957,961],{"marks":958,"text":960,"type":21},[959],{"type":35},"成片验收口诀",{"text":962,"type":21},"（不是爆款公式，是自检清单）：",{"content":964,"type":22},[965,967,971],{"text":966,"type":21},"质量 = ",{"marks":968,"text":970,"type":21},[969],{"type":35},"钩子强度 × 冲突密度 × 人物魅力 × 情绪节奏 × 制作完成度",{"text":972,"type":21},"。一环掉链子，全片就漏风。",{"content":974,"type":22},[975],{"text":976,"type":21},"再配三条避坑原则：①别一味堆爽点；②别忽视制作基础；③冲突别跳级暴涨，别开篇就把危机拉到天花板。",{"attrs":978,"content":979,"type":77},{"level":93},[980],{"text":981,"type":21},"Seko 实操：两套工作流",{"content":983,"type":22},[984],{"marks":985,"text":987,"type":21},[986],{"type":35},"模式 A：短片工作室（适合全流程精细把控）",{"attrs":989,"content":990,"type":165},{"start":73,"type":5},[991,997,1003,1009],{"content":992,"type":114},[993],{"content":994,"type":22},[995],{"text":996,"type":21},"定剧本与画风：输入高概念故事（如课上《玻璃罐里的宇宙》），选风格与模型（岩井俊二电影质感 + Seedance 2.5）",{"content":998,"type":114},[999],{"content":1000,"type":22},[1001],{"text":1002,"type":21},"核验主体资产：先确认 “少年” 和 “发光玻璃瓶” 的造型资产，点击 “一键转三视图”",{"content":1004,"type":114},[1005],{"content":1006,"type":22},[1007],{"text":1008,"type":21},"拆解分镜：系统拆出 10 个分镜（每镜约 3 秒），检查机位描述、时长与提示词",{"content":1010,"type":114},[1011],{"content":1012,"type":22},[1013],{"text":1014,"type":21},"逐段生成与导出：进编辑器逐段核对运镜提示词，满意后导出完整短片",{"content":1016,"type":22},[1017],{"marks":1018,"text":1020,"type":21},[1019],{"type":35},"模式 B：创作 Agent 一镜到底 Skill（适合快速概念验证）",{"attrs":1022,"content":1023,"type":165},{"start":73,"type":5},[1024,1030,1036,1042],{"content":1025,"type":114},[1026],{"content":1027,"type":22},[1028],{"text":1029,"type":21},"选择官方 Skill “影视级的一镜到底短片”",{"content":1031,"type":114},[1032],{"content":1033,"type":22},[1034],{"text":1035,"type":21},"丢入一句极简想法（如 “一个人坐过山车”）",{"content":1037,"type":114},[1038],{"content":1039,"type":22},[1040],{"text":1041,"type":21},"Agent 自动在画布搭建视听方案，用 “首帧 + 尾帧” 相连的方式串联镜头",{"content":1043,"type":114},[1044],{"content":1045,"type":22},[1046],{"text":1047,"type":21},"你不用亲自写长代码，核心任务就是逐帧判断画面质感、速度感对不对味",{"attrs":1049,"content":1050,"type":77},{"level":93},[1051],{"text":1052,"type":21},"今日作业辅导",{"content":1054,"type":22},[1055,1059],{"marks":1056,"text":1058,"type":21},[1057],{"type":35},"重要提醒：作业只能提交一次，提交完不能修改！",{"text":1060,"type":21},"写之前想清楚，别手滑。",{"content":1062,"type":22},[1063,1065,1069],{"text":1064,"type":21},"今天的打卡任务：",{"marks":1066,"text":1068,"type":21},[1067],{"type":35},"提交剧本故事梗概 + 开头钩子设计",{"text":521,"type":21},{"content":1071,"type":22},[1072],{"text":1073,"type":21},"很多同学卡在第一步，千万别写几千字长篇大论，直接套这个模板，通过率很高：",{"content":1075,"type":219},[1076,1086,1096,1106,1116],{"content":1077,"type":114},[1078],{"content":1079,"type":22},[1080,1084],{"marks":1081,"text":1083,"type":21},[1082],{"type":35},"片名 \u002F 题材",{"text":1085,"type":21},"：《xxxx》（例：奇幻\u002F都市反差\u002F萌宠治愈）",{"content":1087,"type":114},[1088],{"content":1089,"type":22},[1090,1094],{"marks":1091,"text":1093,"type":21},[1092],{"type":35},"核心设定（高概念）",{"text":1095,"type":21},"：一句话说清 “谁，在什么奇特处境，面临什么挑战”",{"content":1097,"type":114},[1098],{"content":1099,"type":22},[1100,1104],{"marks":1101,"text":1103,"type":21},[1102],{"type":35},"故事梗概（100–150 字）",{"text":1105,"type":21},"：写清起因、核心冲突与阶段性结局，拒绝假大空世界观",{"content":1107,"type":114},[1108],{"content":1109,"type":22},[1110,1114],{"marks":1111,"text":1113,"type":21},[1112],{"type":35},"开篇四重反差拆解",{"text":1115,"type":21},"：身份反差 \u002F 年龄或处境反差 \u002F 情感或动机反差 \u002F 期待反差",{"content":1117,"type":114},[1118],{"content":1119,"type":22},[1120,1124],{"marks":1121,"text":1123,"type":21},[1122],{"type":35},"前 3 秒钩子台词 \u002F 画面",{"text":1125,"type":21},"：直接写第一镜头的视觉画面 + 第一句对白",{"content":1127,"type":22},[1128],{"marks":1129,"text":1131,"type":21},[1130],{"type":35},"三个课后落地小建议：",{"attrs":1133,"content":1134,"type":165},{"start":73,"type":5},[1135,1141,1147],{"content":1136,"type":114},[1137],{"content":1138,"type":22},[1139],{"text":1140,"type":21},"先搞定单集，验证钩子、节奏、完整流程，别一上来就猛肝整部系列",{"content":1142,"type":114},[1143],{"content":1144,"type":22},[1145],{"text":1146,"type":21},"把角色设定当成最重要的资产 —— 人物崩掉，整部漫剧直接垮",{"content":1148,"type":114},[1149],{"content":1150,"type":22},[1151],{"text":1152,"type":21},"发布后一定要看真实数据，重点看完播率、跳出点，用观众反馈迭代剧本，别只靠感觉写",{"attrs":1154,"content":1155,"type":77},{"level":73},[1156,1158,1160],{"text":1157,"type":21},"记得",{"attrs":1159,"type":18},{"id":14,"label":15,"mentionSuggestionChar":16,"objectType":17,"slug":5},{"text":1161,"type":21}," ：",{"content":1163,"type":22},[1164],{"text":62,"type":21},{"content":1166,"type":22},[1167],{"text":461,"type":21},{"content":1169,"type":22},[1170],{"text":797,"type":21},{"content":1172,"type":22},[1173],{"text":473,"type":21},{"attrs":1175,"content":1176,"type":77},{"level":73},[1177],{"text":1178,"type":21},"说在最后",{"content":1180,"type":22},[1181],{"text":1182,"type":21},"说回来，模型发布是每隔几天就炸一次，但咱们的漫剧可别等 “更炸的模型” 才动手 —— 今天讲的这套，今晚就能用。",{"content":1184,"type":22},[1185],{"text":1186,"type":21},"万事开头难，Day1 最重要的就是把整套流程完整跑通。哪怕你的第一支片子只有 15 秒、画面还有点瑕疵，只要你完整导出来了，你就已经超过了 90% 只看不练的人。",{"content":1188,"type":22},[1189],{"text":1190,"type":21},"写故事、生成画面遇到任何卡点，群里随时 @我，咱们一起改镜头、磨人设。",{"content":1192,"type":22},[1193],{"text":1194,"type":21},"期待大家的 Day1 成片，带来更大的惊喜！",{"content":1196,"type":22},[1197],{"text":1198,"type":21},"#我在观猹学 AI","doc","https:\u002F\u002Fwatcha.tos-cn-beijing.volces.com\u002Fprod\u002Fuser\u002Fuploads\u002F10083426_1789305266_fdc6ec6b-387e-4658-afd1-c0a54fc7e4ac.png;https:\u002F\u002Fwatcha.tos-cn-beijing.volces.com\u002Fprod\u002Fuser\u002Fuploads\u002F10083426_1789305311_599e6daf-3658-497b-ad98-bac5a0f9b68e.png;https:\u002F\u002Fwatcha.tos-cn-beijing.volces.com\u002Fprod\u002Fuser\u002Fuploads\u002F10083426_1789305311_59229358-03e5-4b4c-b995-ffa8551a877d.png","2026-09-13T13:17:10.59Z","2026-09-13T13:18:16.056Z",{"upvotes":1204,"interests":1205,"floors":93,"root_floors":93},38,0,{"id":6,"nickname":1207,"username":5,"avatar_url":5,"cover_url":5,"bio":5,"is_gold_member":1208,"is_official":1208},"观猹员 6518",false,{"reacts":1210},[1211,1214,1216,1219],{"emoji_code":1212,"count":1213,"reacted":1208},"🤩",8,{"emoji_code":1215,"count":1213,"reacted":1208},"🎉",{"emoji_code":1217,"count":1218,"reacted":1208},"🤔",7,{"emoji_code":1220,"count":1221,"reacted":1208},"❤️",5,[14],[],"https:\u002F\u002Fwatcha.tos-cn-beijing.volces.com\u002Fprod\u002Fuser\u002Fuploads\u002F10083426_1789305266_fdc6ec6b-387e-4658-afd1-c0a54fc7e4ac.png","【预习+Day1 助教小总结】很好！AI 漫剧的技术门槛，直接被干碎了！"]